![]() This can also be compared to Robert Fludd's illustration of the universe as two triangles, with the created universe being a reflection of the spiritual trinity. ![]() Here that idea is emphasized by the literal depiction of reflection: the dark Jehovah is a reflection of the light Jehovah. The symbolism is also frequently equated to the Hermetic maxim "As above, so below." That is to say, things that happen in the spiritual realm, in the microcosm, reflect throughout the physical realm and the microcosm. Levi himself states that the Microprosopus is the magician himself as he shapes his own world. ![]() The Macroprosopus and Microprosopus translate to "creator of the greater world" and "creator of the little world." This, in turn, can refer to a number of things as well, such as the spiritual world and the physical world, or the universe and the human being, known as the macrocosm and the microcosm. There's a lot of symbolism packed into that explanation. The Double Triangle of Solomon, represented by the two Ancients of the Kabalah the Macroprosopus and the Microprosopus the God of Light and the God of Reflections of mercy and vengeance the white Jehovah and the black Jehovah." In it, he describes it as: "The great Symbol of Solomon. This illustration comes from Eliphas Levi's 19th-century publication Transcendental Magic. This position is similar to that represented by the Taoist yin-yang symbol.įrom his Book Transendential Magic. This is often equated to the Gnostic notion of duality, and to the concept of opposing forces coming together to create a complete whole. Its top part is black while the bottom half is white. Unlike many an ouroboros, this particular serpent is composed of two colors. The words within the ouroboros are generally translated as "All is one," or occasionally as "One is the All." Both phrases are generally taken to mean the same thing. (Egypt fell under Greek cultural influence after an invasion by Alexander the Great.) The use of the name "Cleopatra" here does not refer to the famous female pharaoh of the same name. Originating in Egypt and written in Greek, the document is clearly Hellenistic, so the image is sometimes referred to as the Greco-Egyptian ouroboros or the Alexandrian ouroboros. This particular depiction of the ouroboros comes from the Chrysopoeia ("Gold-Making") of Cleopatra, an alchemical text from about 2000 years ago. Inside the pyramid of Unas, it is written: "A serpent is entwined by a serpent.the male serpent is bitten by the female serpent, the female serpent is bitten by the male serpent, Heaven is enchanted, earth is enchanted, the male behind mankind is enchanted." There is, however, no illustration to go along with this text.įrom the Chrysopoeia of Cleopatra. The uraeus, however, does not bite its own tail.Įgyptian culture also contains what may be the world's oldest reference to an ouroboros. It represents the god Mehen protecting the sun god through its hazardous nightly journey. ![]() It should be noted, however, that symbols of the sun in Egypt are generally composed of a red-orange disk surrounded by the body of the snake with a uraeus - an upright cobra's head - at the bottom. Here it may represent the zodiac, the unending cycle of constellations through the night sky. It dates from the 21st dynasty in Egypt, making it more than 3000 years old. The papyrus of Dama Heroub contains one of the oldest depictions of an ouroboros - a serpent eating its own tail. ![]()
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